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Kuniyoshi X Kunisada
Télécharger Kuniyoshi X Kunisada
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Détails sur le produit
Relié: 256 pages
Editeur : Museum of Fine Arts,Boston; Édition : 01 (1 novembre 2017)
Langue : Anglais
ISBN-10: 0878468471
ISBN-13: 978-0878468478
Dimensions du produit:
28,6 x 2,5 x 24,1 cm
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Classement des meilleures ventes d'Amazon:
531.095 en Livres (Voir les 100 premiers en Livres)
This beautiful volume was published by the Museum of Fine Arts (MFA), Boston, in conjunction with their “Showdown! Kuniyoshi vs. Kunisada†exhibition in 2017, which I had the great pleasure of seeing. The idea was to pit these two late Edo era print geniuses “against†each other. Exhibition attendees were then asked to consider which designer they liked better (a question I found impossible to answer).Having seen the exhibition I can say that this companion book is worthy of that majestic event, during which some of the finest prints of the quarter-millennium Edo era were on display. Not only were these prints superb in terms of their artistry and subject matter, but they also were in a state of preservation you’re not likely to find in too many places around the world (museums, galleries, private collections).But that’s typical of the MFA’s Japanese print collections, which were donated largely by wealthy collectors early last century, who either knew what they were doing or had agents - such as Frank Lloyd Wright - scout top quality purchase opportunities. (Wright was a Japanophile, collector, and dealer in Japanese prints. His architectural work including interior design was heavily influenced by Japanese art and architecture. Wright’s “Taliesin West†is a great example, and well worth visiting - or at least having a look online.)Many prints in this exhibition almost shock with their striking, deeply saturated colors. I’m happy to report that the photography in this book does a great job capturing that effect.Who were Kuniyoshi and Kunisada? Each belonged to the Utagawa School, which was the predominant school of 19th century Japanese print designers - and which included superstar Ando (Utagawa) Hiroshige in its ranks. Utagawa school designers worked in a variety of genres, with Kunisada best known for his actor prints and Kuniyoshi for his historical warrior prints, and for “monsters†such as giant fish of Japanese legend.While today we think of Hokusai and Hiroshige as the standout 19th century Japanese print designers, in fact during that century the two biggest names were Kuniyoshi and Kunisada. The book’s Preface points out that Kunisada created some 20,000 to 35,000 designs, while Kuniyoshi produced designs in the 10,000 range. Estimates for Hiroshige range from 4500 to 10,000 - with the broad range due to uncertainty about attribution. As for Hokusai, the author points out that he largely turned away from prints and toward painting after completing his great landscape series in the 1830s.Many Kuniyoshi and Kunisada print designs were too in-your-face for early Japanese print critics, who often described their work as “decadentâ€. Certainly the book includes striking examples of how K & K subjects went well beyond their illustrious predecessors’ typical output. Battle scenes full of energy, grim faced actors, supernatural creatures attacking mere mortals - all were too much for the critics.So for most of the 20th century the two designers took a decided back seat to Hokusai and Hiroshige - and to a large extent that view holds to this day. But recent decades have seen a revival of interest in their work, with the 2017 MFA exhibition perhaps constituting a watershed moment for K & K. At the very least they are exceptional artists, with a command of color, line, and form. Like them or not, their work is unforgettable.For those who really want to dig in, the book includes essays by six experts, and an appendix with commentary on each print selected for inclusion here from the exhibition.
Christmas gift, for a fan of this artwork!
Terribly printed... a big disappointment
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